Theater

Final stages

Theatre Rhinoceros revives its spring production of Alan Bennett's 'The Habit of Art'

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Innocent bay stander

Join Sarah Cameron Sunde in a 'durational performance with the sea'

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arts@sfbg.com

THEATER Sarah Cameron Sunde will be standing in the water at Aquatic Park this Friday. She'll stand from low tide, at 9:26 that morning, through high tide at 4:09 in the afternoon, and back to low tide again at 10:31 that night. Thirteen hours and five minutes of being still, while everything around her changes.Read more »

Boxing lessons

Emerging from the shadows, a new multi-sensory performance from Bay Area hip-hop veterans The Coup

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arts@sfbg.com

While still a child in early-'80s San Francisco, Boots Riley witnessed something he didn't quite understand but that would stick with him for the rest of his life. Walking into a theater performance at the venerable Mission District art space Project Artaud, Riley saw actors in body paint writhing around him in apparent agony on all sides. It was meant as a simulation of the AIDS epidemic, with the actors portraying the afflicted. But it didn't enlighten him much as a kid.Read more »

Sm/Art car

With their prototype mobile artist's workstation, Studio 1, David Szlasa and Katrina Rodabaugh are off to the races

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arts@sfbg.com

THEATER Once the image of the highway-bound pioneer, the camper van has been reborn on the plains of the Wild West of arts programming, just off 51st Street in Oakland. It's been sighted here and there since May, greeted with honking and cheering by fans of the tiny house movement, idle curiosity by idling bystanders, and mild frustration by those anticipating a sidewalk taco or crème brûlée.Read more »

Democracy wow!

STAGE: An inside take on Aaron Landsman, Mallory Catlett, and Jim Findlay's interactive 'City Council Meeting'

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arts@sfbg.com

THEATER From a certain angle, democracy is just one big bout of audience participation. So when playwright Aaron Landsman, director Mallory Catlett, and designer Jim Findlay started kicking around the idea of somehow staging a city council meeting, of all things, the notion that the audience itself should enact it must have come as a eureka moment.Read more »

Gorgeousness unbound

Performance takes over at the Asian Art Museum's new exhibit

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arts@sfbg.com

THEATER If you were milling around the Asian Art Museum last Thursday evening, you might have seen a woman tumble — ever so slowly — down the Beaux-Arts building's elegant flight of central stairs. Ringed by a crowd of onlookers and the second floor's imposing colonnade, her limber form caressed the marble steps luxuriously as she cascaded beneath the elegant arched ceiling, entirely at her own pace, leaving behind her the unraveling, impossibly long train of her white and lavender gown.Read more »

Gorgeousness unbound

Performance takes over at the Asian Art Museum's new exhibit

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()

arts@sfbg.com

THEATER If you were milling around the Asian Art Museum last Thursday evening, you might have seen a woman tumble — ever so slowly — down the Beaux-Arts building's elegant flight of central stairs. Ringed by a crowd of onlookers and the second floor's imposing colonnade, her limber form caressed the marble steps luxuriously as she cascaded beneath the elegant arched ceiling, entirely at her own pace, leaving behind her the unraveling, impossibly long train of her white and lavender gown.Read more »

Making waves

San Francisco Mime Troupe's 'Ripple Effect' takes on the Bay Area's roiling class divide

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arts@sfbg.com

THEATER The Fourth of July kicked off a revolution once; could it happen again? Each year in Dolores Park the San Francisco Mime Troupe gives it a shot, kicking off its touring season of free outdoor shows with a musical-comical call to arms — an appeal to popular solidarity against the very real forces of oppression on a holiday gleefully synonymous with keg-tapping.Read more »

A heart in San Francisco

Performance legend Justin Vivian Bond's elemental romance with the city blossoms in new show 'Love is Crazy!'

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arts@sfbg.com

THEATER This week, at New Conservatory Theatre Center, San Francisco's Evan Johnson remounts his popular 2013 solo play, Pansy. It's the story of a disaffected twentysomething gay man who discovers a cache of videocassettes in the basement of his SF apartment building — made by someone who could be considered his doppelganger, a club kid long since felled by AIDS. The play functions in part as a communion between a younger generation of queer San Franciscans and the early era of the AIDS crisis.Read more »